Songs For The Flu

I’ve always had a bit of trouble with topical songs when they’re on the serious side, mostly because I find them cheesy and trite.  But that’s just me.  A lot of songwriters whom I’ve met over the years are inspired by world events (think 9/11, for instance) and immediately pull out the guitar and the writing pad and do their thing.

Now the recent Swine Flu outbreak is certainly a serious event, but I was amused to hear about the number of (mostly funny) songs that have popped up on YouTube as a result of it.  The above is just one example and I’m guessing as this outbreak continues, there will be more arriving.

Here’s another one that’s very cleverly written called “My Baby Gave Me The Pig Flu”:

I like that he used “pig” in his title…it’s just as funny, but it also sets his song apart. He’s a good writer and knows how to tickle the keys too 🙂

And last, but not least, “I don’t know how, I’ll find the sow, that gave me that swine flu”:

Of course, there are all kinds of liberties taken with the subject. Swine flu does not come from pigs and a lot of people don’t really have the facts right, but the idea of something called “Swine Flu” is just too tempting to avoid. We didn’t get the same response (if any, actually) in terms of songs written for the Avian Flu…the word Avian just doesn’t conjure up anything funny!

I’ve written a few funny songs and I appreciate people who can take a subject and find all kinds of great lyrical twists or word plays.

So, as an exercise, how about writing your own Swine Flu song? Sure, it’s already been done, but can you do better than the ones in these videos? Can you come up with something they haven’t? If you do, why not join the forum and post it there?

Go ahead, be a ham 🙂
IJ

The Power of Observation

You’ll get the same advice everywhere (and you’ve gotten it from me too) about finding inspiration in reading or people watching…or by just planting yourself in a new place you’ve never been before.

This time, however, I want to take you one step further.

When police officers are trained, they learn a lot about developing their observational skills, remembering little details about events or people so that they can apply them later.  We take a lot for granted when we are out and about…we look past everything because we’re distracted by our own thoughts or inner conversations.  It isn’t until something significant catches our eye or our ear that we are jolted back into the present.

Buddhists practise something called “mindfulness” which can be an excellent tool for working on your powers of observation.  You don’t even have to be Buddhist to use it :-).  Simply put, it is about focusing in on the present…focusing your ears and eyes, all of your senses so that everything that happens, as minute as it may appear, is consciously observed.  But it is not easy to do!  Set an alarm for five or ten minutes and for that amount of time, try to stay completely in the present, giving your complete attention to whatever you are hearing or seeing, but ignoring any distracting thoughts at the same time.  It takes some work to do!

Once you have tried the 5 minute experiment, take it a step further.

Go for a walk with the intention of remembering as much as you can about everything you see and hear on your 15 or 20-minute walk.  The test will be when you get home…because you are then going to make a list of everything you can remember from your excursion, every observation you made.

Why am I giving you this exercise?  Simply put, you will realize how much you miss, many little bits and pieces of daily life that you may actually be able to use in your lyrics.  Exercise isn’t just for working your muscles, it is also for working your mind and your mind is a pretty powerful writing tool.  Once you have tried the walk, take it a step even further and put yourself in a place with a lot of people activity, like a mall or a park.  This time, do the same thing as your walk…try not to allow yourself to be distracted by your own thoughts and simply observe as much as you can.  Later, when you get home, pull out a piece of paper (or your laptop) and make a list of everything you remember.

This practise will help you to develop your powers of observation, just like the cop who’s in training.  A songwriter is always “in training” because we are always on the look-out for a new idea or something to stimulate our creative consciousness.

If this exercise works for you…let me know right here!

And keep your eyes and ears open…

IJ

Do Lyrics Need to Mean Anything?

For years music lovers who followed Elton John’s career wondered about the meaning of the lyrics in the song “Daniel”.  They argued back and forth;  some thought it was about the Vietnam War, others that it simply had to do with a relationship between two brothers, and another group thought it was about homosexuality.

I was very intrigued to see an interview with Bernie Taupin, the lyricist behind the song, years later when he was asked “So what is ‘Daniel’ really about?”  Bernie’s answer surprised me, and then again, it didn’t.

He shrugged his shoulders and casually said “I don’t know.”  And that was about it.

This issue came up again recently when I was teaching a Radiohead song called ‘Karma Police’ to one of my guitar students.  We sat there afterward and tried to analyze the lyrics.  At the risk of copyright infringement, I’m going to show the lyrics here.  Let’s just say it’s about the ‘art’, guys!

Karma police, arrest this man,
He talks in maths
He buzzes like a fridge,
He’s like a de-tuned radio
Karma police, arrest this girl,
Her Hitler hairdo is making me feel ill
And we have crashed her party


This is what you get, this is what you get
This is what you get, when you mess with us

Karma police, I’ve given all I can,
It’s not enough
I’ve given all I can,
But were still on the payroll

This is what you get, this is what you get
This is what you get, when you mess with us


And for a minute there, I lost myself, I lost myself
And for a minute there, I lost myself, I lost myself
For a minute there, I lost myself, I lost myself

Okay.  I love this song, but not for the lyrics.  I love the chord progression and melody.  I hate the radio noise at the end of the song, but that’s for another article!

If you understand the word ‘karma’, in Buddhism it means ‘what goes around, comes around’.  That’s an over-simplification as any real Buddhist will tell you, but for our purposes let’s stick to that meaning.  So the line ‘This is what you get’ in the chorus, makes sense;  this is what you get when you behave that way, etc.  Even the title ‘Karma Police’ makes sense to me in this context.

At the end of the song we have a completely different section, an ‘extro’ or ‘outro’ or ‘tag’ depending on what you like to call it.  The chord progression changes and they repeat the line ‘And for a minute there, I lost myself’.  In Buddhism again, the ‘self’ doesn’t exist, so even this line makes sense within the context of karma.

However, the rest of the lyric seems to have absolutely no connection to anything.  What do they mean ‘her Hitler hair-do is making me feel ill and we have crashed her party’?  What does that have to do with anything?  ‘He talks in maths, he buzzes like a fridge’…what does that mean?

Now I am not a prude or snob, and I already told you that I love the song.  But sometimes I think bands and artists take liberties with their lyrics, especially those who write in the rock (alternative, if you will) and pop styles.  They assume that people don’t really care about lyrics.  I think they are right, to some extent.  How many songs have you fallen in love with but had no idea what much of it meant?

So what does this mean?  Should we be as flippant with our own lyrics?  Those of us who write in these genres tend to have the same attitudes…that the lyrics don’t really matter.  I think you should care more about what you are saying in your lyrics, in spite of what Bernie Taupin or anyone else thinks.  By all means, when you are first writing, as I’ve said many times, don’t edit yourself or you’ll put out your little creative flame pretty quickly.  But when you are at the re-writing stage (and there should ALWAYS be a re-writing stage!), look at what you’re saying.  Does it make sense in any way whatsoever?  Does it relate to the theme or the title of your song?  Is there a thread that goes through the whole lyric and pulls it together?

Maybe you don’t care, but you should.

On another note (little pun there!), there’s a famous story about the Beatle’s song ‘Hey Jude’.  It was written for John Lennon’s son Julian by Paul McCartney, and one of the lines is ‘the movement you need is on your shoulder’.  Paul was agonizing over that line, but when he went to John about it, John said something to the effect “Don’t worry about it, I know what it means.”  And so the line was left as is.

It’s true that we need to make our lyrics universal enough so that a listener can have some room for interpretation.  But there is a difference, a big one, between ‘universal’ meaning and ‘no’ meaning.  Think about it for awhile, and for pete’s sake, don’t get lazy!

IJ

[update Feb.09/09…during an interview on CBS’s 60 Minutes last night, Coldplay’s songwriter Chris Martin was asked what the meaning of “Yellow” was…guess what he answered??  “I don’t know.”]