Getting Out Of A Strum Rut, Part 1

One of the main problems many people have with playing guitar over a period of time, is always resorting to the same strum for pretty much every song.  After awhile, even songs that should sound very different, don’t!

If this is something you’re experiencing, then let’s go back to some basics and see what we can do to get you out of the rut.

First of all, many people will strum in an inefficient manner.  Rather than keeping the strumming arm in constant motion, they will pause at the up stroke or at the down stroke in order to achieve a certain groove.  When you strum, do you ever pause your arm?  This usually becomes part of the problem;  you haven’t learned to strum correctly! Hit the play button on the video below;  as simple as it seems, try strumming it.  This is a G chord. If you’re doing it right, you’ll notice there are no gaps and your arm is in constant motion:

Count along with the numbers underneath.  This is a full bar of a 4/4 (or common time) strum.

Sometimes counting helps, sometimes it gets in the way, but for now, just count as you strum and if the strum is too quick at first, do it on your own and go at a pace that feels comfortable for you.

Okay, now we’re going to look at the strum again, but with a small change. Hit the play button on the following video:

When it plays you’ll see that the first down stroke is the same, but the first up stroke is in grey, dotted lines.  This is what I call a “ghost strum”.  What you are doing now is  strumming the same pattern, but leaving that second up stroke out.  You still move your arm, but don’t strum the strings as you come up.  You’ll notice that you are leaving the same “space”…you’re not rushing to the 2nd down strum, but moving your arm up at the same speed as you do for the rest of the strum.  You need to think of your arm like a metronome or the pendulum on a grandfather clock;  it keeps a consistent movement, up and down, up and down.

If you’re getting it, you can already tell that this is a strumming groove that you’ve probably heard before, or something similar to it.  When you get used to it, speed it up a little and it’ll sound even better.

Now, if you leave some of the other strokes out, then you get different grooves.  Here are a couple of examples:

If you try them out and then speed them up a little, you can see how they each create different grooves!  Now there are different things you can do to a strum to give it a different feel, such as emphasizing the strokes differently.  In Part 2, we’ll discuss this emphasis, plus we’ll take a look at strums that you might recognize that go even further.  With all that you’ve learned so far, however, you can already see all of the strumming possibilities.  Keep practising!

IJ

Those Hard-To-Play Chords

Transitioning from one chord to another is enough work, but when the chord you are moving to is particularly difficult to play, here’s a trick to help you get better at playing it. Always be patient…learning takes time!

Finding The Right Teacher

I have been teaching since 1989, and I can tell you, when I first started teaching, I wasn’t very good at it!

It isn’t that I didn’t have the knowledge. I did. I had been playing guitar for many years. But what I learned over time is that knowing something doesn’t mean you can teach it. I became a better teacher over time because all of my students taught me!

You may have found a friend or family member who plays guitar and asked them to teach you. Maybe it worked out, but chances are it didn’t. Maybe you gave up because of that experience. Unless your teacher has taught before, don’t expect them to know what they’re doing. Teaching is a SEPARATE knowledge from the ability to play.

I always recommend that you interview teachers before you decide to go for it. Here are some things to consider:

  1. What kind of music do you want to play? Do you want to play blues riffs? Jazz guitar? Do you just want to learn to play some of your favourite songs for yourself or around the campfire? Or maybe you’re interested in classical music. Most teachers cannot teach all of these genres, and specialize in one or two of these areas. Just ask!
  2. Teachers who teach out of music stores aren’t necessarily better because of their place of employment. Lots of teachers teach privately. Look on craigslist or usedvictoria (or whatever city you are in). Do a Google search for guitar teachers in your area. Ask friends. Word of mouth is a great way to find someone good.
  3. Some cities and towns have recreation programs that include guitar classes. Again, there’s no guarantee that you’ll get the best teacher, but sometimes learning in a group is a little less intimidating, and even more fun because you’re learning with others.
  4. Some teachers have a set agenda on how and what they want to teach you. Others make it more your decision. My method is to give everyone a list (and it’s a huge one!) of every song that I teach. I get them to pick out songs they are interested in and write down anything they’re interested in learning that isn’t on the list. But for absolute beginners, I usually have a couple of songs that I start with just to give a new student some basics. Ask the teacher how she/he teaches when you first interview them.
  5. There are teachers out there who are willing to come to your home, but be prepared to pay a little extra for that. And speaking of payment, as with anything, cheaper isn’t always the best. Look around at a few prices to get a sense of what the going rate is. And ask what their cancellation policy is too.

You should know within about a month whether or not guitar is for you. And if it’s not, that’s okay! We all have to put our toes in the water first to check it out! Your teacher should not try and commit you to more than that at the beginning. So when you first meet, mention that you’d like to try it out for a month to see if it’s a good fit. That way, if you’re not comfortable or happy with the teacher, you can find someone else.

And I want to emphasize that again. Not all teachers are created equal! I hope for you to have a good experience, but if you have a bad one, please don’t give up! Playing guitar should be a very joyful part of your life.

Good luck!

IJ