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Trouble In Music City

Posted on by IJ



Hi all,

I received an email this morning from Danny Arena who runs the SongU.com website and who lives with his family in Nashville, TN.  You may have heard over the last few days how so much of Nashville has been devastated by floods (Danny tells more of the story below) and how a lot of artists and songwriters have lost so much in the flood waters.  They are a pretty tight community so I know they’ll pull out of this, but I asked for and received Danny’s permission to re-post his email here.  In it, you will find links to places where you can donate if you’d like to help them out.

To all of our Nashville songwriter friends, we’re thinking of you!

IJ

Hi,
I have been asked by friends, family and SongU.com members from around the world how they can help those in TN affected by the flood. I realize it’s hard to completely understand the magnitude of what happened here. I live here and I can’t comprehend it. This was a historical record rainfall for Nashville and middle TN. We had more rain than we’ve ever had since they began tracking rainfall. We topped the state’s record for rainfall in the entire month of May before sundown on May 2nd. We had about 40% of Seattle’s annual rainfall in less than 2 days. If this was snow, we would have had the equivalent of 13 feet of snow in less than 48 hours. This is not a once-in-a-while kind of flood. No, this one’s in the record books. It’s a once-every-hundred-or-two-hundred-years kind of flood.


The devastation is so widespread, it’s unbelievable. You would probably have to submerge my entire home state of NJ in water to cover as much area as this flood has covered in TN. While a few of these areas are flood prone, the majority are not and a large portion of the people affected do not have flood insurance. Just to give you a better picture of my little world, I could easily draw a one-hour radius from my house and barely scratch the surface of people affected. Across the road from our development, one of our daughter’s elementary school teachers lost everything in the flood. Just up the street at the Fieldstone Farms development, they were rescuing people in boats – one house in Fieldstone caught fire and blew up. Drive south for about 30 minutes, you would get to my friend Dale and Carol’s farm which is home to the annual Blackberry Jam Festival where Michael McDonald played a couple years ago. Their entire first floor of their house was submerged in water. It took a group of four of us about 3 hours just to clean the mud out of one bathroom in their house. Drive west about 40 minutes and you’ll get to Bellevue, an area I lived in when I first moved to Nashville. Entire neighborhoods are underwater. Our friend Gary and Robin’s house managed to escape with about a foot of water, but the rest of their cul-de-sac was submerged. Cars were floating upside down on the road in front of the nearby Belle Meade Kroger. Two people died when their car turned over. Two others drowned behind the Belle Meade Kroger. Head northeast about 40 minutes to Hermitage and you’d get to my friend Denise’s house. The water level is at the top of her garage — she needs a boat just to reach her house. Head north another 30-40 minutes to Goodlettsville and Hendersonville and you’ll find the houses of some of my students and faculty at the college where I teach that were destroyed due to the flood.

Somewhere in the center of all this is downtown Nashville. The Country Music Hall of Fame, the Schermerhorn Center, Broadway and Second Avenue all flooded. The Titans Stadium where my seven year old daughter, Mia, ran the Country Kids Marathon a week ago was flooded up to the level of the first row of seats in the stadium. Other historic landmarks that are synonymous with Nashville are badly flooded and damaged, including Opryland Hotel and the Grand Ole Opry. It is going to take a lot of time and resources for Nashville and all the areas affected by this catastrophic flood to recover. Here are some ways you can help:

  • Donate money. You can donate to the middle TN Red Cross online at http://www.middletennredcross.org. If you’re a texter, you can text REDCROSS to 90999 on your cell and a $10 donation will be sent to the middle TN Red Cross through your cell phone provider.
  • Donate stuff. People lost everything. While you can’t replace possessions with sentimental value, you can give someone a shirt to wear or sneakers for their kids or towels or rags so they can clean the mud out of their bathtub. If you’re on Facebook, check out the clothing drive for middle TN residents at: http://www.facebook.com/?ref=home#!/event.php?eid=113883681985618&ref=ts or the cleaning supply drive at http://www.facebook.com/?ref=home#!/event.php?eid=111188545589696
  • Participate in clean up crews. If you live within driving distance and have the time or skills and want to help cleanup and rebuild, go to Hands-On-Nashville at http://www.hon.org They need volunteers immediately.
  • Donate food. Second Harvest Food Bank of Middle TN is continuing to provide a central distribution center for companies, groups, and individuals to help provide food for Middle Tennessee’s affected families. Check it out at: http://www.secondharvestmidtn.org/
  • Plan to visit. Nashville is a great city that has many businesses and jobs that depend on tourism. Come see us. Plan your next family summer vacation or next year’s business conference here. Check out the Nashville Chamber of Commerce for more information at http://www.nashvillechamber.com/Homepage.aspx
  • Spread the word. Others may not necessarily realize how bad we were hit because of the way the media industry and news organizations work. People are going to need assistance down here for a long time in order to rebuild their lives and restore our historical landmarks like the Grand Ole Opry, Opryland Hotel, Country Music Hall of Fame and historic Second Avenue.
  • For more information on how you can help visit: http://nashvillest.com/2010/05/03/so-nashville-is-flooded-how-can-i-help/comment-page-2/
I love Nashville. It’s a big name city that has a small town feel. Contrary to its sequined, cowboy hat and boots image, Nashville is an incredibly diverse city where the music industry, universities, and lifestyle brings together people from all walks of life, whether they’re writing a song or watching a TN Titans or UT football game. We have one other thing in common – we love our city. If you’ve seen some of the videos and pictures that have been posted, you can probably see why we are referred to as the “Volunteer State.” When the time calls for it, we simply roll up our sleeves and get down to it because there is work to be done. And there is much work to be done. One of my friends who works at one of the major media outlets in the New York-Metropolitan area relayed to me that Nashville hasn’t been getting a lot of national coverage because our story lacks the “hook” of some of the other currently hot issues like the oil spill and the bomb in Times Square. I get that. I’m a longtime songwriter who certainly understands the power of a “hook”. Truthfully, even if we had our “15 minutes” of full-court press media coverage, it wouldn’t begin to touch how many months or years this recovery is going to take. And it could never cover how many lives have been affected. So spread the word and pass it on. From donations to positive energy and prayers, it is all welcome and needed. This is my city and these are my friends and neighbors.
Best wishes,
-Danny

The Use of Contrast in Songwriting

Posted on by IJ



Contrast, as defined in the dictionary, is: To set in opposition in order to show or emphasize differences. Black and white are two contrasting “shades” (they’re not colours!) and can be used as a visual way to describe contrast in songwriting.

Black and White "Model" Cupcakes
Image by clevercupcakes via Flickr


When you’re first writing a song (and I ALWAYS emphasize this!), you are not thinking about technique or creating dynamics, tension or contrast…you are simply expressing something in its raw form. Many songwriters never get beyond this raw state, never develop their writing or learn to polish their songs, and the lack of contrast is often a result. If absolutely everything in a room was white, how boring would that be? This is what songwriters who are just starting out don’t necessarily recognize in their own songwriting.


So what exactly IS contrast in songwriting? Well, it can be achieved in different ways. If your song has verses and a chorus, contrast may be created between those song parts. For example, the verses might have a melody in a lower range, and the chorus in a higher range. Another way to achieve contrast would be a different chord progression in the chorus as compared to the verse. It can be a subtle as starting the chorus with a different chord than the verses start with. Contrast doesn’t have to be “in your face”, it simply creates a feeling of freshness between the parts of a song. A bridge can be a really effective contrast. You’ve set your listener up, starting them off with a verse and chorus, another verse and chorus, and now you want to give them a breather, so you create a bridge.

So, melody and chord progressions can be used to create contrast, what about lyrics?  The most subtle lyrical contrast would be in terms of the subject by changing the point of view or creating a different idea (but not too different!) between two parts of a song.  A very simple example would be where the verses are in the first and second person (I, me, my and you), and the chorus being in the third person (she, he, they).

But a broader and more effective contrast would be to actually change the form of the song by changing the rhyme scheme or the length of lines and the meter.  You see this happening most of the time between a verse and a chorus;  the verse has its own rhyme scheme and meter and the chorus changes to another set.

Contrast can also be created in the production of the song where the instrumentation changes between different parts.  This has less to do with the songwriting, but if your song is missing some contrast or the contrast is not strong enough, adding or changing instruments in the production and recording phase can enhance the parts so they stand out a little more separately from each other.  What often happens with drums in a chorus, for instance, is that the rhythm stays more or less the same, but cymbals (or what they call a “ride”) are added.  Drums also accent a coming change when they do small fills just beforehand.

Drums are only one example of the use of contrast in production, other instruments like strings can also be effective in signifying a different part of a song.  But for the most part, you want to be able to create contrast in the writing itself so you don’t have to rely on production to do it for you.

Contrast is something that be the difference between your audience being continuously drawn into a song and putting them to sleep! Listen to one of your favourite songs and see if you can spot what they do to create contrast. And then listen to one of your own songs to determine if you are creating enough contrast to keep it interesting!

IJ

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Your Songwriting Career – Taking the Small Steps

Posted on by IJ

© I.Woloshen

One question I get all the time from new songwriters is…”I want to be a hit songwriter (singer, star, etc.) What do I do?” Man! That’s always a HUGE question!

If you decided to climb Mount Everest, would you go there without any plans, without any other thought, and just start climbing? Probably not! But the equivalent of that in songwriting/performing happens ALL THE TIME!! I just met a songwriter who, as an adult, decided to write some songs for the first time, and immediately after getting them demoed went straight to Nashville! It’s admirable, of course, that someone would have SUCH determination so early, but he definitely learned a few things from that experience. Was it a waste of his time? Certainly not, but he realized how far he had to go before he was ready to pitch his songs.

If you’re a hot-blooded songwriter, you have little time or patience for all of the rest of it, all you feel is the fire in your belly to write. You have to spend as much time as you can getting those gems out, but at some point you might start considering how you’re going to get the rest of the world to hear them. Rather than take this from the perspective of an artist or performing songwriter, let’s just consider the songwriter.

There are several ways to get your songs heard. One is to go to an open mic, where you can have the opportunity to play to an audience that doesn’t have a vested interest in you 🙂 Open mics can often be found in the “what’s happening” section of your daily newspaper. Sometimes pubs or bars or even coffeehouse-type venues will hold these events on slow nights just to get something happening. Folk clubs are another place where you might find the opportunity to play. Do some research and find an open mic venue in your area. This might be a HUGE step for some of you, so another “first step” to take is to join a songwriter’s group of some kind.

You can be really grass-roots about it and put up a notice in a local music store looking for other songwriters who might like to get together once in awhile to listen to each others songs. Or you might also consider joining an organization such as NSAI (Nashville Songwriters Assoc. International) or SAC (Songwriters Assoc. of Canada) or any other organization in your area or country, where you will find a good support system and the opportunity to meet and play with other songwriters and even people in the music business. These organizations will go a long way to help educate you and to give you lots of information on the business of music.

An excellent source of information on the music industry is a book called “Songwriters Market” which comes out every year with a fresh crop of names and addresses of publishers, agents, record labels, and lots of useful articles on the subject of songwriting and the music business. Go to your local library or book store and look for a copy. It can also be ordered online from several places…one of my favourites is the Muse’s Muse book ordering page. There are also some excellent books there on the subject of songwriting. I don’t read songwriting books too much, but most of my songwriting pals swear by them…some that are frequently mentioned are “The Craft & Business of Songwriting” by John Braheny, “Tunesmith” by Jimmy Webb, and “Writing Better Lyrics” by Pat Pattison. All can be ordered from the Muse’s Muse.

What is the point of doing all of these things? Why not go straight to a publisher and start pitching your songs? It amazes me how many people start mailing tapes off to publishers BEFORE THEY’RE READY! That’s the point…are your songs ready? You might think they’re perfect (which of course they ARE 🙂 but remember who your competition is! Every great songwriter with a hundred hits already under her/his belt who is still actively pitching their songs…that’s your competition! Can your songs stand up to that?

It’s REALLY important to expose your songs to other people in order to get an understanding of how they stand up. I don’t mean your family, either 🙂 Other songwriters can and will help you with feedback, the organizations I mentioned above will do the same. Don’t jump the gun, take those small steps and you’ll start to build your confidence in your songwriting as you go.

This next point is a sticky one. So let’s say you feel like you have a song or two that you’ve spent a lot of time crafting and it’s ready to be demoed. Do it yourself? Well, before you do, consider a few things. If you’re not a great singer, don’t really know how to use the equipment and have no idea how to create arrangements, you could spend the next 10 years learning…or you could try to find a studio close to you that could do it for you. I know, I know…you’re a do-it-yourself kind of person and how else are you going to learn these things? You’re right, you won’t learn unless you do it yourself, but take it from me, it’s going to be a LONG time before you really learn enough to be able to present your songs adequately. Going into another studio is another way to learn about the recording process, and you’ll meet other musicians and people who are trying to take the same path you are. I DO have an article for beginner recording if you INSIST on doing it yourself! But one thing that songwriters tend to do is to become pretty isolated…meeting other people is also a GREAT way to expose yourself and your music, and create a name for yourself! Okay, so now you’ve got a demo and had some positive feedback…time to send those songs off to the big name artists, right? Yikes! Unless you have some amazing contacts, it just ain’t gonna happen that way. I know, I know, yours is the perfect song for *put BIG NAME ARTIST here*, but how about somebody you can actually talk to at a concert or on the phone? Local artists are ALWAYS looking for material to perform…not only that, but they’re already OUT THERE playing all the time! Do some research, look for some local artists or a band who might be perfect for your song(s). Go to one of their performances, ask them if you can give them a tape. Be prepared. Look professional. Have a business card and mark your tape CLEARLY with all of your contact info. The first artist/group might not go for it…the second one might. Keep taking the small steps.

Now you’re a little further down the road, you’ve been getting your songs demoed, a couple of local acts have been performing them, one group recorded a song of yours…do you know what this is called? It’s called a “track record”! This is your background, your bio, your story. This is when you start pitching your songs to small publishers. The work you’ve done already gives you credibility, it shows you’re hard working and serious and publishers are ALWAYS looking for that! The pitching process is a whole other process, I’ve written another article on it here.

This is what I mean by taking the small steps…if you take enough of them, they will inevitably lead to bigger ones. Don’t run off to Nashville with your first three songs and become disheartened and disillusioned, just take the next step, and the next. And let me know when you get your first cut 🙂

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Rule #1 – There Are No Rules!

Posted on by IJ

© I.Woloshen

For heaven’s sake…don’t ever let anyone tell you that you have to do “this” and “that” to write a great song!! Recently, I’ve spent some time perusing the internet, looking at other songwriting sites…even going over my own!

This is what I’ve learned…songwriting is always at its best when it is coming straight from the heart, your lips, and the chords of your instrument. It is perfect if you leave it just at that! I keep seeing sites that say “write only in the first person” or “keep your form to verse, chorus, verse, chorus” or “don’t ever write too personally”…etc., etc. The fact is that even with all of the articles you will read FROM ME, I am only speaking from my experience, my development. And yours may be entirely different!

Having said that…if you sew a dress, you need room for the arms and legs. In other words, there are some elements that must exist in a song or it is simply noisy chaos. Sitting in your bedroom playing chaos to yourself is absolutely fine, but it will be impossible for someone else to listen to! The best songwriters, learn the so-called “rules” and then break them…not out of spite, but out of a self-confidence that comes with knowing what you are doing. You will ALWAYS find songs that break the “rules”, but rarely have they been broken by someone who didn’t learn them in the first place. Don’t be arrogant, don’t limit your learning potential. Just learn those rules and then break every one of ’em if you like 🙂

Attitude is Everything

Posted on by IJ

Songwriter Session at the Bluebird Cafe: Jamie...
Image by TedRheingold via Flickr, Bluebird Cafe

Even though we songwriters tend to seclude ourselves sometimes when we’re trying to come up with another tune, there does exist a community of songwriters out there. It includes professionals and amateurs, young and old, rock, country, and all of the other genres, and male and female. Each has unique perceptions and experiences to bring to their craft; each is driven by a desire to express and create something.
What I find most interesting is the attitudes expressed and how those attitudes can completely colour my response to a songwriter‘s material. Recently I remember reading a post in the newsgroup rec.music.makers.songwriting from a songwriter who began to list the subject matter that he thought “sucked” in songs. He included any songs you write in the first person, love songs, any kind of relationship songs, and the list went on and on. I was immediately aroused from my complacency, since I most often write about those very topics! It made me think about what it is in a song that appeals to me and what doesn’t, which is a completely relative experience, but I responded with a post saying that it isn’t the subject that “sucks”, but the way in which that subject is handled. What interested me even more was how this person had essentially dismissed the majority of songs and songwriters out there with his attitude. Occasionally the “dark” side of creative immaturity and competitivenss rears its ugly head and reminds me of where I came from.

We’ve all been there. That “I can write better songs than that” string of thought that temporarily boosts our egos when we hear someone else’s material that doesn’t live up to our expectations. It’s too easy to fall into that frame of mind when we’ve had to struggle with our own writing and the self-esteem gauge has dropped below zero. I’ve been to demo critiques in which the “experts” literally devastated the songwriters who were there, and others where the complete opposite has happened.

It’s a tough world sometimes, but the people I’ve admired most are those writers who seem to roll with every punch and have enough energy left to encourage and help others. And the conclusion that I’ve come to, the thought that has helped me more than anything else, is that THERE’S ROOM FOR EVERYBODY! We won’t all make a fortune from writing, or have great recognition, but the talent that exists is extraordinary! Sure, songwriters in the “business” have to compete with others to a certain degree, but it can be done with such graciousness. I’ve heard staff writers talk about sharing writing credits with a person in the room at the time a song was written because that person came up with one line or one phrase. That’s the kind of generosity and maturity we all need to emulate. Time and experience will teach us that, when it comes to the big picture, having written the best or worst song in our lives doesn’t really amount to much, that the value is in the process and in the community we build with each other. You can’t help but be lifted up when you lift somebody else up. These days, instead of trying to figure out what makes a song “suck”, I try to understand what makes it great…if I don’t like a song, rather than getting comparative, I move on to the next one…I take a step back from my ego every now and then and appreciate the process. Songs don’t “suck”…bad attitudes do!

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