McCartney: The Consumate Showman

Paul McCartney
Paul McCartney (Photo credit: darioferrini)

All the way to the Paul McCartney concert in Vancouver BC last week, my family listened to old Beatles and Wings songs in the car.  That was when it occurred to me that this one person has the song catalogue of a thousand of us menial songwriters out there, and not only that, but SO MANY of them were hits and became classics over almost six decades of writing and performing.  And even beyond that, at the age of 70 he can still go out there and outperform even the youngest and spryest of artists and bands.  The guy barely stopped for a full 3 hours.  He continually and genuinely appreciated and acknowledged each and every one of the 40,000 or so of us there who were equally as thrilled to see him come to Vancouver for the first time since 1963.  It was an epic and unforgettable experience.
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Lyrics Are Important As Cold Ice Cream

It's the picture of Italian ice-cream in a sho...

I was in the car on the way home today when I heard a singer/songwriter on the radio sing these lyrics:

I like ice cream when it’s cold
I like old time radio
It’s funny but it’s true
These things I do

The last two lines I’m not exactly sure of the wording, I was trying to remember them because they got me to thinking about writing lyrics and how we need to pay attention to detail.

I’ve been working on music all summer, but not lyrics. I spent the late spring and early summer working on theme music and tracks for one TV series, and all of August on music for another series. I consider myself lucky to have the opportunity to have my music on television, even if in a small way, and even if it doesn’t amount to much of anything money-wise. The biggest bonus for me was that it got me into writing again. Well, I shouldn’t come to any conclusions, I’ve only started on one song, but hey, for somebody who has had nothing but a dry well to draw water from the last three or four years, it’s something!

And that’s why the above lines struck me today. You should read them again before I go on and see if you can spot the inconsistencies.
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From The Mailbag April ’12

I recently received this email from Joel Patterson (link to his website below), who describes himself as “the enfant terrible of the recording website Gearslutz”.  I’ll let you read his email and my response is below:

Hi Irene,

Great site! Glad you’re so willing to help out the neophytes out here.

I’ve got a question, it goes like this: every so often I will hear a familiar phrase in a “new” song, I guess the latest was in the Enrico Iglesias “I Like How It Feels.” This may be an ancient song… I’m not too exposed to the current scene… anyway, he weaves the phrase “ticket to ride” into his lyric.

Or, whoever wrote the song did, is Enrico a talented guy? A front man for a larger organization? Isn’t he descended from Julio Iglesias, some kind of star of a previous era? So many questions, so much I don’t know…

“Ticket to ride” is obviously a quotation from the Beatles‘ tune “Ticket to ride.” I am on the fence between thinking this is a heavy-handed, blatantly obvious, cheesy play, and thinking it’s cool and hip.

If I were to work the phrase “rolling in the deep” into a new, original song, in a way that worked within the song and had a completely different melody from the Adele hit, I’m just wondering how that would strike you, overall? Cheesy? Hip? What’s your take?

Thanks!

Joel Patterson
www.joelpatterson.us

“Hi Joel,

“This is a great question!  First of all, I think timing is everything.  If you encompassed “rolling in the deep” into a song in the very near future, I would consider it tacky because it would APPEAR to be the use of a phrase in order to draw attention to your own song.  You have no idea how many people hit my website using that phrase just because I did a bit of a critique on Adele’s song!  So people out there looking for that song lyric, or a discussion or critique of it, would also potentially find any other song containing that lyrical phrase if it was posted on the web.

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Using Life Experiences To Write

I was at a funeral for an old acquaintance yesterday and on the way home it occurred to me that there were a lot of lines and phrases spoken by others that I could easily use in a song lyric some time in the future.  Quite often you may have come across the idea of reading or watching TV or seeing a movie to find some inspiration, but the truth is that your very own life is probably a great source if you handle it just right.

ideas

Of course, many of you already write about your own life, and many songs you’ve heard over the years are a reflection of the writer’s life, not just fiction.  But instead of writing about the typical things like love, loss, partying (:-)) and every other clichéd topic, there are probably events or snippets of conversation happening around you all the time that might make for interesting lyrics.  So any of you out there complaining (and many of you do!) that you don’t have anything to write about, maybe you only need to open your ears and eyes a little more.  Almost anything can inspire a song lyric if you know what to do with it.

For instance, one thing that was said yesterday by the brother of the person who passed away was that in losing his brother, he learned something about him,  and he also remembered something that he had forgotten.    The “new” learning came in the form of stories that people told him after his brother died.  The thing he had forgotten was how he had always thought of his brother as his hero.   I could see turning that into an idea for a song.  Another idea that came to me was when the pastor spoke about how we only know a part of a person, and when we get together during such an occasion, the memories others have, when we put them all together, paint a much more complete picture of that person.

Do you see what I mean?  Whatever lyric came out of that wouldn’t even have to be about death, only about getting to know someone, or a kind of philosophy of life.

I’m not even afraid to share these ideas with you because I know that if you use them, you would probably write a completely different song than I would 🙂  Years ago I used to lead a kind of online songwriting workshop on a songwriting message board I used to hang out on, where I would get everyone to submit a song title.  Then we’d vote on the title and have a week or two to write a song around that title.  Sometimes it wasn’t a title, but just a lyric idea.  It was a great exercise, but what it taught me most was how completely different all of the songs were that came out of it.

So take something from my experience above, if you like, or pay more attention to your own experiences and don’t be afraid to share them.  You never know where you’ll find a new song!

IJ

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Pay Me $250 to Re-demo Your Song!

For the umpteenth time I have received an email from a songwriter who has been mislead by a so-called “publisher” showing interest in their songs.   It’s not the showing interest that’s bad, it’s the thing they do next:  they follow up by asking the songwriter to pay them money to “re-demo” their song(s).

Songwriters Circle
Songwriters Circle (Photo credit: AndyRobertsPhotos)

Fortunately the red flags went up this time and the songwriter emailed me to ask my opinion.  I told him exactly what I tell every other songwriter that emails me with a similar story;  run the other way!  This is how these companies make their money, not by successfully pitching songs to artists, but by making money from the “re-demos”.    And what does the songwriter get?  Another demo of their songs and a big bill.

Pay attention to this:  if ANYONE asks you for money to pitch or re-demo your songs, don’t do it!  There ARE professional legitimate song pitchers out there, but they work an entirely different way and the chances are you wouldn’t know about them until you had some kind of track record for successful songs already.

I always recommend checking out the publication “Songwriter’s Market” for a better chance at finding more legitimate publishers.  It comes out annually and lists publishers and record labels in many genres, and keeps pretty up-to-date on all of them.  It also has a number of really good articles on the do’s and don’ts of pitching your music, so it’s worth the price just for that.  You can find the book in your local bookstore, or you can buy it from Amazon.  If you want to support my website, you can also buy the latest edition through my store by clicking here.

Here are some other tips when it comes to looking for a publisher:

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