Opinion

Songs I Like – Fall At Your Feet

Posted on by IJ

Song: Fall At Your Feet Artist: Crowded House (Originally published Dec.1, 2011)

I have to admit that I didn’t hear this song until quite recently when I saw Neil Finn perform it live as an acoustic solo on a television show. I pretty much fell at his feet! I have always admired Crowded House, so I’m asking myself why I never bought one of their albums? They have some powerful songs, the songwriting is very solid and their harmonies are simply delicious. “Don’t Dream It’s Over” was the first song that caught my attention when it was released in 1986. Fall At Your Feet can be found on their 1991 album “Woodface”.  You can listen to the song in the iTunes player to the right.

There are a lot of websites or blogs dedicated to song meanings, and on one site I found that most people seemed to have more than one possible interpretation of this one. There seemed to be a general consensus that it had to do with the singer trying to comfort a woman he’s in a relationship with. But others thought it might have more to do with cheating or a break-up. The funny thing about lyrics when we hear them is that we tend to stamp our own meaning and experience on them.  So when you’re a songwriter, you’re always trying to get the idea of a “universal” experience into your lyrics.  If it’s too, too personal, others can’t make it their own.

I think a key line in this song is “the finger of blame that’s turned upon itself”, which to me, indicates some kind of flux in their relationship. Also, when he sings the first verse he’s singing about “her”, whereas the rest of the song is about “you”. However you look at it, there’s a love song in there, and a break up song, and a song about being brought to your knees by a relationship for any one of a number of reasons.

Here are the lyrics:

I’m really close tonight
And I feel like I’m moving inside her
Lying in the dark
And I think that I’m beginning to know her

Let it go
I’ll be there when you call

And whenever I fall at your feet
You let your tears rain down on me
Whenever I touch, your slow turnin’ pain

You’re hidin’ from me now
There’s somethin’ in the way that you’re talkin’
The words don’t sound right
But I hear them all moving inside you

Know
I’ll be waiting when you call

Hey, whenever I fall at your feet
Won’t you let your tears rain down on me?
Whenever I touch, your slow turnin’ pain

The finger of blame has turned upon itself
And I’m more than willing to offer myself
Do you want my presence or need my help?
Who knows where that might lead
I fall

Whenever I fall at your feet
Won’t you let your tears rain down on me?
Whenever I fall (at your feet)
Whenever I fall

Musically, Neil Finn and his older brother Tim, who co-wrote this song and others on the same album, are brilliant. The plaintive melodic phrase “whenever I fall at your feet” is such a beautiful hook, rising as the bass line is falling. I admit though, that I was actually hooked from the first verse of this particular song. If you’ve never explored Crowded House, you should give yourself the pleasure of their music. Have a listen to the song in the video below!

~ IJ

Songs I Like – I’m All Over It

Posted on by IJ

Song: I’m All Over It Artist: Jamie Cullum (Originally published Nov.29, 2011)

Jamie Cullum was a discovery because of a guitar student (as so many of them are for me!).  She requested another song by Cullum called “All At Sea”, which I liked, but it wasn’t until I did more research that I discovered this song, which I immediately fell in love with.

It’s not a deep song, lyrically speaking, but the jazz/pop musical style of Jamie Cullum is so tasty that you can’t help yourself wanting to listen to it again and again.  I remember being a kid and listening to and falling in love with songs that I paid very little attention to when it came to the lyrics.

Some of that was not my fault…the recording quality and subsequent radio broadcast quality often lead to misheard or misunderstood lyrics.  In fact, there are a number of websites dedicated to misheard lyrics, one of them being Kiss This Guy which was originally called The Archive of Misheard Lyrics.  Kiss This Guy is a reference to a line in the song “Purple Haze” by Jimi Hendrix.  The actual line was “excuse me while I kiss the sky”, but many people heard it as “excuse me while I kiss this guy”.  But I digress :-).

Jamie Cullum’s lyrics are definitely not poorly recorded, but they are not remarkable either.  Many times when I’m writing lyrical tips on this songwriting blog I really emphasize the importance of lyrics.  So am I contradicting myself?  Not really.  “I’m All Over It” is a good hook, and it’s a typical break up song, lyrically speaking, but the music, the production and Jamie’s performance greatly overshadow any weakness in his lyrics.  He’s considered somewhat of a jazz prodigy, with a lot of his earlier recorded works being covers of old jazz standards.  But his songwriting really makes him a great find.  Have a listen to the song in the video below and tell me what you think!

IJ

Songs I Like – Mean by Taylor Swift

Posted on by IJ

Song: Mean Artist: Taylor Swift (Originally published Nov.28, 2011)

From Wikipedia: “Earworm, a loan translation of the German Ohrwurm, is a portion of a song or other music that repeats compulsively within one’s mind, put colloquially as ‘music being stuck in one’s head.’ ” According to statistics, 98% of us get earworms at one point or another. They apparently last longer in women, and annoy them more :-). I would have to say that I suffer from earworms moreso because I’m always listening to music more intensively when trying to figure out chords, licks and lyrics for my guitar students. And I’d have to say that Taylor Swift tops my list of earworm-causing songs. Bad, you say? Actually, not at all. If you’re a songwriter, the earworm is your friend! You want parts of your song to stick in people’s heads, the longer the better. Hooks are often a cause of earworms. Do you remember James Blunt’s song “You’re Beautiful”? That earworm drove me nuts for days after I worked it out for a student. Blunt repeats that phrase over and over in the chorus and it was a huge hit for him. No wonder!

A lot of my students are young girls and many of them love Taylor Swift. Her latest album, “Speak Now” is an evolution of sorts for her because she wrote every song on her own, whereas in previous albums she occasionally had co-writers. “Speak Now” and “The Story of Us” are examples of solid songwriting, and given that she is only 22, she’s got a lot more potential hits in her yet. I especially like the song “Mean”, which I will explain later in this article.

So what is it about Swift’s songs that make her so successful? Well, first of all, they are pretty much all about love or overcoming adversity, which is what young girls especially want to hear. Her songs are totally autobiographical and she freely admits that fact. Write what you know 🙂 I don’t always advise making your songs autobiographical only because sometimes it can get you into trouble! But the fact is that most young songwriters (and yes, I did this too when I first started writing) are really just trying to get something off their chest, trying to express their angst or desires and songwriting is the vehicle to do that. Her style of writing, Country Pop, is for the most part upbeat and engaging and most of all, she sounds fresh and real.

One thing I really admire about her is that when she sings live, she doesn’t rely on autotune to keep her on pitch. Some have critisized her for being a bad singer when they hear her live, but listen up folks! The rest of your idols “can’t sing” either! They all use autotune and would probably sound like Swift, or worse, if they didn’t have it.

Back to her songwriting: I’m going to take a look at Taylor’s song “Mean”. The story behind the lyric is basically Taylor’s response to all of her critics, but when I first heard the song and read the lyrics, it seemed to have a much more universal message. This is a key point in songwriting…if you are writing an autobiographical song, make sure you don’t give too many specific details! Why? Because you have to allow enough room for your listener to make the song their own. That’s what a universal message is; something that has meaning for everyone. So here are the lyrics to “Mean”, with my comments included in red:

You, with your words like knives
And swords and weapons that you use against me,
You, have knocked me off my feet again,
Got me feeling like I’m nothing.
You, with your voice like nails on a chalkboard
Calling me out when I’m wounded.
You, pickin’ on the weaker man.

The best thing about this verse is the first word “You”. If you listen to the song, it’s singled out and pointed: YOU! followed by her accusatory statements. I like the “voice like nails on a chalkboard” and “words like knives and swords” demonstrating her pain.

PRE-CHORUS:

Well, you can take me down
With just one single blow
But you don’t know what you don’t know

CHORUS:

Someday, I’ll be living in a big old city
And all you’re ever gonna be is mean
Someday, I’ll be big enough so you can’t hit me
And all you’re ever gonna be is mean
Why you gotta be so mean?

I think the brilliance in this chorus is the phrase “all you’re ever gonna be is mean” as if to say that being mean overwhelms anything else a mean person might accomplish, whereas the singer is going to move on and do many things in comparison. I also love how the melody goes into a lower range when she sings the phrase “why you gotta be so mean?” It’s almost as if she’s speaking it in a defensive and vulnerable way.

You, with your switching sides
And your wildfire lies and your humiliation
You have pointed out my flaws again
As if I don’t already see them
I walk with my head down
Trying to block you out, ’cause I’ll never impress you
I just wanna feel okay again

The first two lines in this verse are the weakest…”you with your switching sides” just doesn’t work as well meter-wise. The phrase “wildfire lies”, however, is very visual. Still, I almost feel as if she’s repeating herself lyrically here, instead of moving the “story” along.

2ND PRE-CHORUS:

I bet you got pushed around
Somebody made you cold
But the cycle ends right now
‘Cause you can’t lead me down that road
And you don’t know what you don’t know

Now we’re progressing…now she starts to analyze this “mean” person’s personality and where it might come from.

CHORUS:

Someday, I’ll be living in a big old city
And all you’re ever gonna be is mean
Someday, I’ll be big enough so you can’t hit me
And all you’re ever gonna be is mean
Why you gotta be so mean?

BRIDGE:

And I can see you years from now in a bar
Talking over a football game
With that same big loud opinion
But nobody’s listening
Washed up and ranting about the same old bitter things
Drunk and grumbling on about how I can’t sing
But all you are is mean
All you are is mean
And a liar, and pathetic, and alone in life
And mean, and mean, and mean, and mean

Musically, the bridge seems to start out the same as the pre-chorus, but then it builds and turns into a kind of mini-rampage as she throws out the phrases one by one; a liar, and pathetic, and alone in life and mean, and mean, and mean. She’s firing back on all cylinders here.

But someday, I’ll be living in a big old city
And all you’re ever gonna be is mean, yeah

Someday, I’ll be big enough so you can’t hit me
And all you’re ever gonna be is mean
(Why you gotta be so mean?)
Someday, I’ll be living in a big old city
(Why you gotta be so mean?)
And all you’re ever gonna be is mean
(Why you gotta be so mean?)
Someday, I’ll be big enough so you can’t hit me
(Why you gotta be so mean?)
And all you’re ever gonna be is mean
Why you gotta be so mean?

Mean is a really powerful song in its emotional impact, along with a sweet and innocent delivery that only Taylor Swift can bring. Have a listen to the song in the video below, and tell me what you think!

IJ

Songs I Like – Pumped Up Kicks

Posted on by IJ

Song:  Pumped Up Kicks Artist:  Foster The People (Originally published Nov.28, 2011)

I can always tell when a song has caught the imagination of a lot of people because I start to hear about it from my guitar students.  It doesn’t even have to be a guitar song per se, but as soon as my students begin referring to it, especially if the students are of different ages, it piques my interest. Such was the case with Pumped Up Kicks by Foster The People.  It’s a very simple song, musically, with a little bass/guitar riff repeating through most of the song and the same four-chord progression.  For simplicity’s sake, I have the guitar capo’d on the 1st fret so my beginner students can play it using Em, D, G and A, one measure per chord.  The bass riff extends over that four-chord progression as well, but you can also play it on guitar, as some of my more advanced students like to do.

But the lyrics belie the chord progression underneath them:

Robert’s got a quick hand

He’ll look around the room he won’t tell you his plan

Got a rolled cigarette

Hangin’ out his mouth, he’s a cowboy kid

Yeah, found a six-shooter gun

In his dad’s closet hidden with a box of fun things

I don’t even know what

But he’s comin’ for you, yeah he’s comin for you, hey

CHORUS:

All the other kids

With the pumped up kicks

You’d better run, better run

Outrun my gun

All the other kids

With the pumped up kicks

You’d better run, better run

Faster than my bullet

Joni Mitchell once talked about the pathos of songs and how it is often created by marrying “sad” lyrics with “happy” music.  That isn’t a direct quote, but something I heard her say in an interview about her songwriting a long time ago.  In the case of Pumped Up Kicks, the lyrics are rather violent, talking about a brooding kid coming to school with a gun that he got from his father’s closet.  Sound familiar?  Not only did he find the gun, he found it with a bunch of other “fun things”.  He warns the rich kids with the “pumped up kicks”, the high-end shoes, that they’d better outrun his gun, and be faster than his bullet.  But underneath this strangely dark lyric, the chorus melody is an upbeat, almost happy ditty.  And it works. I’ve heard this song peripherally, in stores and on TV shows and I certainly recognized it when a student said she wanted to learn it.  But it wasn’t until I examined it lyrically did I realize what it was about.  In fact, I would venture to guess that a lot of people would probably find the song really appealing and not have paid much attention to the meaning of the lyrics right away.  Once the message reveals itself the song takes on a whole new dimension, but as disturbing as the topic is, it doesn’t lose it’s upbeat quality.

Sometimes the production of a song can do a lot to drive the feeling of it.  This recording employs a “radio” effect on the vocal (when the voice sounds like it’s coming out of a cheap radio) in the verses, creating a kind of detached, strangeness to the dialogue.  And there’s that ever-present, simple little lick and the bright chorus with multiple vocals having an anthem-like quality that definitely keeps it memorable. When songwriters sit down to pen a song, the chances are that most of the time they aren’t thinking about things like “pathos” and production, it just comes out the way it does.   I don’t know which came first in this case, lyrics or music, or that little happy riff, but Pumped Up Kicks definitely came together in a successful way.

IJ

Listen to Pumped Up Kicks:

A Song Is Just A Shirt

Posted on by IJ

I started on the web in 1996, when websites consisted pretty much of only words on a grey background and there was no such thing as high speed internet, just dial-up connections that loaded pages literally at a snail’s pace.

There were very few, if any, message boards back then. Instead, we had newsgroups that you subscribed to through your email software. I joined a group called rec.music.makers.songwriting in the hopes of connecting with other songwriters and maybe even exposing some of my own material. People would post things, just like on message boards, and others would respond. It wasn’t as nasty as it is now on places like Twitter, most responses were cordial.

One day, however, someone was asking about song form; should all songs have choruses, verses, bridges? Something to that effect. There were a bunch of opinions. I posted mine. I’m going from memory here, but essentially what I said is that a song can be anything you like, but it still has to have some kind of understandable form if you want someone else to listen to it or buy it. I said that a shirt still has to have a place to put your arms and your head and the rest of you, otherwise, it isn’t really a shirt. Someone responded pretty harshly, something I won’t repeat here. I’d never experienced anything like it before. It is still nothing like the abuse you often see on social media these days, but it stung.

But the reason I brought this up is because I know there are songwriters out there who push the boundaries and try to do something different, and I admire that. However, I still believe most of us have to make sure our songs like shirts; there has to be some kind of identifiable form. Otherwise, nobody is going to buy, or even like, the shirt. You can try to find a way to make a really unique shirt. There are many, many styles and colours, sizes and shapes of shirts to experiment with. But it still has to work as a shirt.

What do you think?

IJ