Songs I Like – A Team

Song: A Team Artist: Ed Sheeran (Originally published May 7, 2012)

This is another song discovery that came from one of my guitar students, a young girl of course :-).  Ed Sheeran is only 21 years old but he already has a maturity in his songwriting and guitar playing far beyond that.  He’s from the UK, which is obvious when you hear him sing certain words.  This particular song is about a young woman who has been brutally beaten up by a world of drugs and prostitution, but instead of telling you anything beyond that, I’ll post the lyrics.

White lips, pale face
Breathing in the snowflakes
Burnt lungs, sour taste
Light’s gone, days end
Struggling to pay rent
Long nights, strange men

CHORUS:

And they say
She’s in the Class A Team
Stuck in her daydream
Been this way since 18
But lately, her face seems
Slowly sinking, wasting
Crumbling like pastries
And they scream
The worst things in life come free to us

‘Cause we’re just under the upper hand
And go mad for a couple grams
And she don’t wanna go outside tonight
And in a pipe she flies to the motherland
Or sells love to another man
It’s too cold outside
For angels to fly
Angels to fly

Ripped gloves, raincoat
Tried to swim, stay afloat
Dry house, wet clothes
Loose change, bank notes
Weary-eyed, dry throat
Call girl, no phone

[REPEAT CHORUS]

BRIDGE:

An angel will die
Covered in white
Closed eyes and hopin’ for a better life
This time, we’ll fade out tonight
Straight down the line

[REPEAT CHORUS]

LAST CHORUS:

And we’re all under the upper hand
And go mad for a couple grams
And we don’t wanna go outside tonight
And in the pipe, fly to the motherland
Or sell love to another man
It’s too cold outside
For angels to fly
Angels to fly
Fly, fly
For angels to fly, to fly, to fly
Angels to die

The two things that appeal to me most about this song are Ed Sheeran’s voice and guitar playing.  But there are some interesting he does with the lyrics, especially this section:

Been this way since 18
But lately, her face seems
Slowly sinking, wasting
Crumbling like pastries
And they scream

This is a series of five lines that rhyme;  not perfect rhymes on all occasions, but each two syllables long whether they are one word or two.  And on each of those he uses the same two notes, higher than any other note in the song.  Now my rule of thumb has always been to only repeat something three times or it starts to feel like too much, but in this case that rule appears to go out the window.  It just works.

I also like the phrase “in a pipe, she flies to the Motherland”…there are a lot of visual elements in the verses, which have short, descriptive phrases in contrast to the chorus which expands into longer lines and phrases. One of the things songwriters often struggle with is the idea of contrast;  you want the verses and the chorus to be distinct from each other (and other song parts like pre-choruses and bridges too), and there are a number of ways to achieve that contrast.  One obvious way is by creating distinct melodies and chord progressions, which this song also does.  But look at this first verse:

White lips, pale face
Breathing in the snowflakes
Burnt lungs, sour taste
Light’s gone, days end
Struggling to pay rent
Long nights, strange men

You don’t need to watch a video to get a sense of a cold and tired person and difficult circumstances.  Line 1, 3, 4 and 6 are mostly two sets of adjectives and nouns (white lips, pale face, where the words “white” and “pale” are the adjectives and “lips” and “face” are nouns, for those of you who forget those terms!).  Simple, but powerfully succinct writing.  The chorus begins with shorter lines, but then builds into longer ones as the chord progressions.  It’s almost like the first 8 short lines are actually a pre-chorus and some might label them as such.  However, they contain the title of the song, which some might argue denotes the chorus.

When I worked this song out, I instinctively put the capo on the 2nd fret because I could hear the bass run down from a “G” to an “Em”, and in watching a solo acoustic version of Sheeran performing it, I saw that he had his capo exactly there.  He has a nice, percussive style of playing, where he’ll throw in a chord or bass change for a beat or two just to make it more interesting.  In fact, I chose to show that video below as opposed to the fancier, produced version, because you get a sense of how a great song stands on its own with the right performance of it.

I certainly recommend listening to the recorded version as well.  Nothing in the production gets in the way of the song.  I’ve listened to his song “Drunk” and was not as impressed, but I’m certainly going to check out some of his other songs.

In the meantime, have a listen to the song in the video below.

~ IJ

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