Songs I Like – A Team

Song: A Team Artist: Ed Sheeran (Originally published May 7, 2012)

This is another song discovery that came from one of my guitar students, a young girl of course :-).  Ed Sheeran is only 21 years old but he already has a maturity in his songwriting and guitar playing far beyond that.  He’s from the UK, which is obvious when you hear him sing certain words.  This particular song is about a young woman who has been brutally beaten up by a world of drugs and prostitution, but instead of telling you anything beyond that, I’ll post the lyrics.

White lips, pale face
Breathing in the snowflakes
Burnt lungs, sour taste
Light’s gone, days end
Struggling to pay rent
Long nights, strange men

CHORUS:

And they say
She’s in the Class A Team
Stuck in her daydream
Been this way since 18
But lately, her face seems
Slowly sinking, wasting
Crumbling like pastries
And they scream
The worst things in life come free to us

‘Cause we’re just under the upper hand
And go mad for a couple grams
And she don’t wanna go outside tonight
And in a pipe she flies to the motherland
Or sells love to another man
It’s too cold outside
For angels to fly
Angels to fly

Ripped gloves, raincoat
Tried to swim, stay afloat
Dry house, wet clothes
Loose change, bank notes
Weary-eyed, dry throat
Call girl, no phone

[REPEAT CHORUS]

BRIDGE:

An angel will die
Covered in white
Closed eyes and hopin’ for a better life
This time, we’ll fade out tonight
Straight down the line

[REPEAT CHORUS]

LAST CHORUS:

And we’re all under the upper hand
And go mad for a couple grams
And we don’t wanna go outside tonight
And in the pipe, fly to the motherland
Or sell love to another man
It’s too cold outside
For angels to fly
Angels to fly
Fly, fly
For angels to fly, to fly, to fly
Angels to die

The two things that appeal to me most about this song are Ed Sheeran’s voice and guitar playing.  But there are some interesting he does with the lyrics, especially this section:

Been this way since 18
But lately, her face seems
Slowly sinking, wasting
Crumbling like pastries
And they scream

This is a series of five lines that rhyme;  not perfect rhymes on all occasions, but each two syllables long whether they are one word or two.  And on each of those he uses the same two notes, higher than any other note in the song.  Now my rule of thumb has always been to only repeat something three times or it starts to feel like too much, but in this case that rule appears to go out the window.  It just works.

I also like the phrase “in a pipe, she flies to the Motherland”…there are a lot of visual elements in the verses, which have short, descriptive phrases in contrast to the chorus which expands into longer lines and phrases. One of the things songwriters often struggle with is the idea of contrast;  you want the verses and the chorus to be distinct from each other (and other song parts like pre-choruses and bridges too), and there are a number of ways to achieve that contrast.  One obvious way is by creating distinct melodies and chord progressions, which this song also does.  But look at this first verse:

White lips, pale face
Breathing in the snowflakes
Burnt lungs, sour taste
Light’s gone, days end
Struggling to pay rent
Long nights, strange men

You don’t need to watch a video to get a sense of a cold and tired person and difficult circumstances.  Line 1, 3, 4 and 6 are mostly two sets of adjectives and nouns (white lips, pale face, where the words “white” and “pale” are the adjectives and “lips” and “face” are nouns, for those of you who forget those terms!).  Simple, but powerfully succinct writing.  The chorus begins with shorter lines, but then builds into longer ones as the chord progressions.  It’s almost like the first 8 short lines are actually a pre-chorus and some might label them as such.  However, they contain the title of the song, which some might argue denotes the chorus.

When I worked this song out, I instinctively put the capo on the 2nd fret because I could hear the bass run down from a “G” to an “Em”, and in watching a solo acoustic version of Sheeran performing it, I saw that he had his capo exactly there.  He has a nice, percussive style of playing, where he’ll throw in a chord or bass change for a beat or two just to make it more interesting.  In fact, I chose to show that video below as opposed to the fancier, produced version, because you get a sense of how a great song stands on its own with the right performance of it.

I certainly recommend listening to the recorded version as well.  Nothing in the production gets in the way of the song.  I’ve listened to his song “Drunk” and was not as impressed, but I’m certainly going to check out some of his other songs.

In the meantime, have a listen to the song in the video below.

~ IJ

Songs I Like – Somebody That I Used To Know

Song: Somebody That I Used To Know Artist: Gotye (Originally published April 17, 2012)

Oddly enough, I first encountered this song not by the original artist Gotye, but through a YouTube video of the song posted by a Canadian band called Walk Off The Earth.  It was a very clever video, with the band members ALL playing the same guitar!

The last time I looked, they had over 87 MILLION hits of their version!  Amazing.  But I’m here to talk about the song itself.

Singer/songwriter Gotye is a Belgian-born Australian who had three previous albums to his credit.  This song, however, really took off for him and he’s had #1 status all over the world.  If you listen to Gotye’s version of the song, something that really stands out for me is the simplicity of the production.  I know that good songs stand on their own…or they SHOULD.  But sometimes the production behind a song is what makes it so identifiable;  in other words it is completely unique.  I’m sure artists or producers have used xylophones before, but Gotye actually uses it over a sample of Luiz Bonfá’s track “Seville” (here’s a link to that track if you’re interested, you’ll hear the guitar right away, just the first bar, that Gotye samples).  I didn’t even realize it was a sample until I started to research the song.  Bonfá is a Brazilian guitarist and composer who passed away in 2001.

Vocally the delivery goes from a quiet, almost plaintive tone in the verses to real belting in the chorus.  My husband, who is a fan of earlier Australian bands like Men At Work and Midnight Oil, says he can hear the Australian influence especially in one line “Make out like it never happened and that we were nothing.”.  The way he breaks up the word “happened” starting on a G on the first syllable and sliding up to a C on the last syllable, is what my husband claimed was the sound that was familiar.  Interesting.

New Zealander Kimba provides the female vocal in the third verse, a lyrical response to the first two verses that are sung by Gotye.  It’s an interesting contrast;  one of my students, a female, says Kimba’s verse is her favourite, especially the first line “Now and then I think of all the times you screwed me over”! After that verse there appears to be a pre-chorus that happens only once in the song and only before the second time the chorus is sung.  It builds up nicely (which is why they often call a pre-chorus a “lift”!) into the chorus.  A clever songwriting technique;  every now and then throw in something unpredictable.

Walk Off The Earth’s version only brought more attention to the original…along with making it their own by coming up with such a unique way to perform it.  Recently I saw a YouTube cover version of the song with the lyrics changed to reflect how poorly my hockey team, the Canucks, are doing in the NHL playoffs.  As they say, imitation is the sincerest form of flattery;  and the more popular a song is, the more cover and satirist versions you’ll find everywhere.

Great song and definitely an earworm!  Get your earworm version below on the YouTube video 🙂

~ IJ

Songs I Like – Wichita Lineman

Song: Wichita Lineman Artist: Glen Campbell (Originally published March 5, 2012)

I recently saw Glen Campbell perform on the Grammys and was struck by his courage to be out there performing even though he has been diagnosed with Alzheimer’s Disease.  One of the interesting things about the brain is that when you learn music, or a musical instrument, your whole brain is engaged, as opposed to just part of it devoted to something like speech or face recognition.  So Alzheimer’s patients will often remember lyrics and melodies to songs (or remember how to play piano for instance), well after they have forgotten who their closest family members are.  It’s an interesting aspect of music that I also see with my father who has Alzheimer’s.  He still remembers me at this point, but much of his personality has been destroyed by the disease.  Still, he can remember old songs with little or no effort!

But that’s not what this post is about :-).  This is about one of my favourite all time songs, Wichita Lineman.  It was written in 1968 by someone who many songwriters consider to be a songwriting guru, Jimmy Webb.  The song became a hit for Glen Campbell on the pop, adult contemporary and country charts that year and certified gold in 1969.

Part of the charm of that version was, of course, Glen Campbell’s wonderful voice and guitar playing.  The story behind the song, according to Wikipedia, goes as follows: “Jimmy Webb’s inspiration for the lyrics came while driving through Washita County in rural northern Oklahoma. At that time, many telephone companies were county-owned utilities and their linemen were, in fact, county employees. Heading westward on a straight road into the setting sun, Webb was driving through an endless litany of telephone poles, each looking exactly the same as the last. Then, in the distance, he noticed the silhouette of a solitary lineman atop a pole. He described it as “the picture of loneliness.” Webb then “put himself atop that pole and put that phone in his hand” as he considered what the lineman was saying into the receiver. Glen Campbell added in a statement to the Dallas Observer that Webb wrote the song about his first love affair with a woman who married someone else.”

As a songwriter, one of the interesting aspects for me is that the song has no chorus, although it does have a repeating phrase “the Wichita lineman is still on the line.”  The music is dotted with minor 7th and major 7th chords, the latter of which give it that plaintive, bitter sweet feel.  Recently, when I went to see James Taylor live in my city, I was over the top when he started to perform his version of Wichita Lineman, and it has, indeed, been recorded by many artists over the years.  In fact, I’m think I might like to do a recording of it myself some day!  

Have a listen to the song in the video below, and here are the lyrics:

I am a lineman for the county 
And I drive the main road 
Searchin’ in the sun for another overload 

I hear you singin’ in the wire, 
I can hear you through the whine 
And the Wichita Lineman is still on the line 

I know I need a small vacation 
But it don’t look like rain 
And if it snows that stretch down south won’t ever stand the strain 

And I need you more than want you, 
And I want you for all time 
And the Wichita Lineman is still on the line 

And I need you more than want you, 
And I want you for all time 
And the Wichita Lineman is still on the line 

It just gets me every time 🙂
~ IJ

Songs I Like – Seven Day Fool

Song: Seven Day Fool Artist: Jully Black (Originally published Mar.15, 2012)

Etta James passed away recently, which brought a lot of attention to her music, of course, as it has for Whitney Houston and as it does for every other artist who passes away.  Etta was probably best known for the song “At Last”, which I don’t just like, I love.

What I didn’t know was that she was also the first to release today’s ILikeSongs pick, “Seven Day Fool”, in 1961.  It was written by Billy Davis, and is essentially from a female perspective, proclaiming her love in the form of everything she does for him because she loves him.  Now that might have a bit of a sexist lean, but I think the way it’s sung both by Etta James and Jully Black, a Canadian artist, gives it a no-nonsense and still passionate, declarative feel.  In other words, these ladies are committed to their men, but they ain’t no pushovers!

It’s a real belter, especially when she hollers “And I’ll be!”  The 2007 version that Jully Black recorded pays homage in every way to the original, both in her delivery of it, and in the instrumentation and production.  That’s what I love about it.  In fact, when I first heard it (remember, I didn’t know there was an Etta James version), I thought it was a contemporary song made to “sound” like the 60’s.  That has been happening a lot lately…my Christmas blog entry “Everything Old is New Again” refers to this phenomenon in the way new artists have been writing and recording in old, but updated styles.  I love it!

This is a classic form of songwriting, using the days of the week as a reference to the idea that every day the singer is slaving away for the one she loves:

And on a Monday, 

I’m gonna love ya

And on a Tuesday, 

I’m gonna hug ya

And on a Wednesday, Thursday, Friday, Saturday, Sunday, 

Gonna love ya

I work for you baby, work my hand to the bone

Care for you, baby, when you get home

Do for you, baby, for the love that I seek

Slave for you, baby, every day of the week

(And on a Monday)

Scrub your dirty floor

(On a Tuesday) 

I do a whole lot more

(On a Wednesday) 

I wash your dirty clothes

To have a little lovin’ ‘fore the weekend goes

CHORUS:

And I’ll be, your seven-day fool

And I’ll be, your seven-day fool

And I’ll be, your seven-day fool

Only because I really love you

(And on a Thursday) I’ll treat you oh so kind

(And on a Friday) I’ll take you out to dine

(And on a Saturday) I’ll work double time

If you’ll only say you’re be mine

(repeat CHORUS)

(On a Monday) ya I’m gonna love ya

(Tuesday) oh I’m gonna hug ya

(Wednesday, Thursday, Friday, Saturday)

Yeah give me all of that love

(And on a Monday) I scrub your dirty floor

(On a Tuesday) I do a whole lot more

(On a Wednesday) I wash your dirty clothes

To have a little lovin’ ‘fore the weekend goes

(repeat CHORUS) 

I really love you

I really love you

I’m just a seven day fool

I really love you

Oh on a Monday, I’m gonna love ya

And on a Tuesday I’m gonna hug ya

On a (Wednesday, Thursday, Friday, Saturday) gonna love ya

A seven day fool

Not only that, but it’s a mover…you can’t stop bopping to it!  Have a listen to it in the video below.  Definitely a contemporary remake of an old classic that I Like :-).

~ IJ

Songs I Like – The Chain

Song: The Chain Artist: Fleetwood Mac (Originally published March 26, 2012)

Fleetwood Mac’s album “Rumours” was actually the 11th studio album by the band, released in 1977 and it sold more than 40 million copies worldwide.  One of the most interesting aspects of it was that there were a great number of personal problems happening within the band during the writing and recording of Rumours that contributed a great deal to the subject matter of the songs.  There are even books out there written all about the album and its creators. “Making Rumours” by Ken Caillat, is the most recent.

There were a number of big hits from Rumours including “Dreams”, “Don’t Stop” and “Go Your Own Way”, all great songs.  But the only song on that album that had every band member credited with its writing was “The Chain”.  The reason for that is interesting;  because different parts of the song were, in fact, written by different members.  John McVie, the bass player and Mick Fleetwood, the drummer had come up with the second part where the bass has that distinct, repetitive line:

It doesn’t matter if you can’t read bass clef, you can hear it in the video of the song below.   Stevie Nicks had written some lyrics that seemed to work with that, and together, she and Christie McVie came up with the melody to put on top of the ending part.  Lindsay Buckingham reworked an older song he had written with Stevie and came up with the first part of the song.  And that’s how it all came together.

Lyrically, it’s a break up song which is appropriate considering that the couples in the band were all having trouble at the time of the recording, so it more or less epitomizes what was happening to them.  It’s rather simplistic, mostly about being lied to and the chain representing what ties them together.

What makes this a great song for me I think is the true emotion of it.  What is it you always hear from songwriting gurus?  It’s important to keep a song meaning universal, and what’s more universal than a break up song?  But the way it is delivered in the studio is with that element of “real” because for them at the time, it WAS real.  It’s dramatic and powerful because it’s the truth about their anger towards each other and the pain they were experiencing at the time.

The whole Rumours album is great, and it’s worth listening to and reading the story behind.  “The Chain” with it’s interesting instrumentation of banjos and bass lines and drums, has a rather timeless feel to it. Have a listen to the song on the video below. Here are the lyrics:

Listen to the wind blow, 
Watch the sunrise

Run in the shadow, 
Damn your love, damn your lies

CHORUS:

And if you don’t love me now,

You will never love me again
I can still hear you saying   
              

You would never break the chain

And if you don’t love me now

You will never love me again

I can still hear you saying

You would never break the chain

Listen to the wind blow

Down comes the night

Run in the shadow

Damn your love, damn your lies

Break the silence

Damn the dark, damn the light

[REPEAT CHORUS]

Chains keep us together

Running in the shadows

[REPEAT AND FADE]

~ IJ