I recently began to coach a local songwriter on a weekly basis, and he has inadvertently re-introduced me to open tunings on the guitar. He writes some interesting songs, and part of what makes them interesting is his penchant for all kinds of alternate tunings that cause lots of broken strings, but plenty of fascinating compositions! Obviously, this post will apply more to those of you who write on guitar :-).

If you’ve never heard of open or alternate tunings, I’ll give you a bit of a run down first. Most of you know that when a guitar is in “standard” tuning, the notes from the 6th string down are E, A, D, G, B and E. The first tuning I will explain is “alternate standard”, which, in most cases, means tuning each string down 1/2 a step or more. The first time I came across this was with the band Nirvana, although I’m sure there were those who did it earlier than they did. Nirvana’s guitars were almost always tuned down 1/2 step, making their songs sound deeper. They were a pain to figure out unless you had your guitar in this alternate standard tuning. This has become a common tuning for a number of bands, mostly in the rock, metal or alternative genre.
Open tunings are a retuning of a guitar to a chord. One of the more common open tunings is to a D chord, where the strings are tuned as followed: 6th becomes D, 5th stays as A, 4th stays as D, 3rd is tuned down to F#, 2nd string is tuned down to A and the first string is tuned down to D. Listing them together, they are D,A,D,F#,A,D. If you look up a D chord, these are those notes contained within that chord.
Continue reading “Open Tunings”



