Category Archives: Arts

With AI, Who Needs Creators?

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I was a Computer Operator back in 1982 when the Vancouver Public Library decided to automate their entire library system. Some library patrons were quite worried at the time about having their personal information stored somewhere where anybody could see it.

What a difference a few decades makes. Today, just having a Google account means you can literally be followed, and advertised to with “relevant” ads. And who-knows-who can get access to all kinds of information about you.

I don’t have anything against technology, obviously, having been witness to “Gutenberg Two”. That was what the computer was characterized as back then, in the book by David Godfrey. Gutenberg One was the printing press, invented by Johannes Gutenberg.

The printing press was a revolution in terms of information and the ability to access and spread it to whoever could read. The computer was another evolution in that sequence.

Artificial Intelligence, or AI, appears to be a revolution of another kind. And now it’s getting weird.

One of the latest apps, ChatGPT, is a chatbot that can “converse, create readable text on demand and create novel images and video”. It’s also stirring up trouble.

The creators of ChatGPT basically used material that was already out there to teach the bot how to create its own content.

Kids are have started using it to “write” essays in school. A new level of cheating. Those darn kids.

There’s a children’s book being marketed on Amazon that was created using ChatGPT. Even the illustrations are created by a text-to-image AI tool. It took the “creator” a weekend to put it together and start selling it.

Now my mind is racing. Maybe I won’t have to spend hours and hours on my writing ever again because ChatGPT can do it for me!

But what’s the point? When it comes to art, a text-to-image AI tool could never be a modern day Da Vinci. Or could it? And even worse, what if nobody cares?

Well, artists do.

In fact, there are two lawsuits against an AI company happening right now in the U.K. and in the U.S. Part of the argument in the U.K. suit initiated by Getty Images is that this AI company “illegally scraped” content from their website in order to train the tools to create images.

Lawyers for the artists in the suit say that this is breaking copyright and other laws, and they are suing for billions. They argue that “because the AI system only ingests images from others, nothing it creates can be original.”

Copying the great artists has been going on for centuries, but this takes it to a whole new level.

So, should writers be worried about chatbots?

Some writers may be concerned about the potential for chatbots to replace human writers in certain roles, such as news or content generation. However, it is also possible that chatbots could be used to enhance the work of human writers, by providing assistance with research, editing, or other tasks.

Well, that’s what ChatGPT told me anyway. Yes, that last paragraph was bot-generated after I posed the question on the ChatGPT website.

So I decided to ask the bot the age old question.

Was it “what is the meaning of life?” No.

Instead I asked “How much wood could a woodchuck chuck if a woodchuck could chuck wood?”

There was a long pause. Did ChatGPT recognize a tongue-twister?

Then came the answer: “According to a study by wildlife biologist Richard Thomas, a woodchuck, also known as a groundhog, would chuck approximately 700 pounds of wood if a woodchuck could chuck wood. However, in reality, woodchucks do not chuck wood as they primarily burrow in soil and do not have the physical ability to chuck wood.”

Smart a$$.

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A Naden Band Christmas

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Without wanting to sound like a Grinch, November is just too early for Christmas music for me.

I mean, COME ON. Two months of nothing but Christmas music?? It’s on the radio, in the stores, at the mall, on my husband’s car playlist. It’s omnipotent.

And it drives me nuts.

Not only that, but every artist and her uncle has to release their version of every single Christmas song ever penned.

Why? Because Yuletide music is a big money maker. Just like all of the Christmas merchandise showing up on Costco shelves in early October.

Okay, so I AM a bit grinchy.

But now that I’ve got that off my chest, there is one Christmas music tradition that never disappoints. And it’s usually in the appropriate month of December too.

It’s the annual Naden Band Christmas concert, which has been a tradition in Victoria for more than 40 years. Even when COVID was cramping our style, the Naden Band streamed their concert so we wouldn’t have to miss it.

We often think of the Naden Band as part of our local parades, but they have performed all over the world for many different events, along with their more traditional performances.

Only days before we attended this year’s concert, the Naden Band had been at Canadian Forces Base Esquimalt to welcome back two navy ships, HMCS Vancouver and Winnipeg, as hundreds of sailors returned from months of deployment in the Indo-Pacific region.

The Naden Christmas concert was in conjunction with the Salvation Army’s holiday toy drive. The ticket price was very reasonable (are you paying attention Taylor Swift?), and each audience member was encouraged to bring one unwrapped toy.

The theme of this year’s concert intrigued me. It was “Hygge”.

Most of you have at least heard of hygge over the last few years, but for those of you who haven’t, let me exercise my Scandinavian heritage.

Hygge, which originated in Norway but was made popular in Denmark, is all about getting cozy and finding comfort. It might be found in a hot toddy by the fire, or curling up with a good book. It has a similar origin as the word “hug”. Whatever brings you contentment, that’s hygge.

Mostly, I was curious as to how the Naden concert people would pronounce it. Scandinavian languages have a sound all their own and the word hygge is no exception. Online you’ll see it described “hoo-ga”, but that’s not really it.

No, it’s more like a hacking sound from deep in the throat, followed by “gi” as in the word give. Okay, that doesn’t sound very cozy-like, does it?

So we’ll move on.

This year’s musical evening was fabulous, as usual. The Naden Band performed everything from traditional Christmas songs like I Saw Three Ships and Joy To The World, to less traditional ones like Fairytale of New York.

Among my favourites were songs from A Charlie Brown Christmas (Linus and Lucy gets me every time) and I’m Dreaming of Home, which featured the Pipes And Drums of the Canadian Scottish Regiment. There’s nothing quite like the sound of the pipes, is there?

The Royal Canadian Navy’s Naden Band, if you don’t already know, is a group of amazing, top notch musicians. Whenever a musical piece calls for a solo performance, you really get to hear how talented they are. And playing music is a full time position for 34 military musicians, so they practice A LOT.

Another highlight of the evening was when an audience member was chosen to conduct the band for the song Sleigh Ride. During the intermission, anyone who was interested could add their name to the draw.

A few minutes into the second half, a name was picked out of the box. It was a magical moment for all of us. The name drawn was one of the sailors who had returned from deployment only days before. It was something right out of a Hallmark movie script.

If you have never attended the Naden Band’s Christmas concert, I highly recommend it. There are usually several performance dates to choose from, including a matinee show.

And now I want you to mark this day and time on your calendars: December 26, 12:01am. That’s when the Christmas music ends, okay??

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We Love Music – But Who Pays For It?

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There are so many bad things happening in the world these days that a lot of news stories end up even lower on the radar than usual.

It certainly didn’t receive anywhere near the attention that Will Smith’s incident with Chris Rock did, but did you know that last year, Canadian songwriters made an average of only $67.14? Talk about a slap in the face.

Ever since music ventured into the digital realm, more and more people have been using streaming services to create their playlists. And many find ways to create digital copies of songs so they don’t have to purchase them.

But, of course, it didn’t start with the internet.

When cassette tapes were the big thing, we would record songs off the radio or make copies of our albums to play in our cars. And with the advent of recordable CD’s and the internet, we found a way to download and record songs that we wanted copies of.

With everybody streaming music these days, I decided to research how much a songwriter actually makes from streaming their songs. It turns out that they get, on average, about $0.005 per stream. That means their song would have to be streamed 200 times just to make one dollar.

One dollar. For 200 streams.

Spotify is reported to have about 406 million subscribers. About half of those pay $10 a month for the service while the “free” service includes ads.

That means Spotify rakes in about $2 billion a month just from subscribers. Never mind the ad revenue. Where does all that money go?

If you’re a Rihanna or a Justin Bieber, you’re not too worried about money. But if you’re a songwriter trying to make some kind of living from your work, well, don’t give up your day job.

Don’t get me wrong: it has always been a challenge making a living as a performing songwriter. Never mind how COVID has impacted live performances in the last couple of years.

But when I was doing that back in the 90’s, at least I could sell a CD or two.

I can’t tell you how many times I was told that not getting paid for a gig was okay because it would be great “exposure”.

Sometimes I was lucky and they would pass a hat during my performance.

On one occasion, I was asked to play right after a poetry reading night at a coffeehouse in Burnaby. They were going to pass the hat that night, and they did so during the poetry readings.

When the poetry was done, the poets and the patrons left and took the “hat” with them. I was left with empty pockets and one person to play to for an hour. She sat on the couch politely listening, probably too embarrassed to walk out and leave me all alone.

If you got your song on the radio back then, which I did a few times, you were at least fairly compensated. And if you were really lucky and the song caught on, you were on your way.

When the internet became a thing, I remember thinking that this would be a great way to reach so many more people without having to go on the road.

I was partially right.

In fact, in the very beginning, I got a couple of my songs on one of the first digital music platforms, mp3.com. A lot of businesses played mp3.com stations, and if your song got into rotation on one of those, you were doing well. I made some real money from that.

According to Wikipedia, “At its peak, MP3.com delivered over 4 million MP3 formatted audio files per day to over 800,000 unique users on a customer base of 25 million registered users.”

It was a great venue for independent artists to not only get that “exposure”, but make a little money at it too. And then everything changed, mp3.com was sold, and it morphed into something else. 

Big digital companies caught on to mp3.com’s success, and now here we are with streaming services that, once again, have no respect for content creators.

SOCAN, the Society for Composers, Authors and Music Publishers of Canada, is trying to do something about this by pushing for Bill C-11, the Online Streaming Act.

But I really think more needs to be done to force digital streaming services to pay actual money for the content they use to make their fortunes.

Now THAT would be music to my ears.